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GILGAMESH / 2019

GILGAMESH

First Part of Hotel Pro Forma’s Underworld Trilogy

2019


Premiere 
April 4. 2019

GILGAMESH
Ny Carlsberg Glyptotek, Dantes Plads 7, 1556 Copenhagen

 


Photos Ditte Valente



Credits

PERFORMERS

Music created and performed by FIGURA Ensemble: Jesper Egelund (fujara and dobro), Anna Klett (clarinet), Frans Hansen (percussion) and Frode Andersen (accordion)
Gilgamesh Niels Anders Thorn, actor
Enkidu Manus Bell, rapper
Ninsumun 
Sara Emilie Anker-Møller, performer

ARTISTIC TEAM AND PRODUCTION

Direction Kirsten Dehlholm
Performance text
Morten Søndergaard
Enkidu's Songs Manus Bell in collaboration with Morten Søndergaard
Translation of original text
Sophus Helle
Choreography
Runa Norheim
Sculptures Kirsten Dehlholm, Barbora Skaburske, Atelier Hotel Pro Forma
Costume design Maja Ziska, Barbora Skaburske og Kirsten Dehlholm
Costume tripods Maja Ziska
Sowing workshop Lena Bjerregaard, Barbora Skaburske, Emilie Strøm, Astrid Rose Hjort
Seamstress Lena Bjerregaard
Sound engineer Troels Bech
Assistants, sound Ingvild Skandsen, Julie Østengaard
Assistants, scenography Jonathan Nielsen, Astrid Rose Hjort
Video Adam Ryde Ankarfeldt
Make up Barbara Polonis
Production assistant, stage manager Anna Borzàk
Workshop Jacob Petersen, Jacob Thing

Dramaturg Sara Emilie Anker-Møller 
Consultant Jon R. Skulberg

Production Hotel Pro Forma
Producer Lisbeth Jacobi
Manager Ulla Katrine Friis

Gilgamesh is supported by The  Knud Højgaard’s Foundation, New Carlsberg Foundation, Oticon Foundation,  Politiken-Foundation, Poul Johansen Foundation, Wilhelm Hansen Foundation, Spar Nord Foundation, Beckett Foundation, Jorck's Foundation, Koda Culture, Danish Arts Council and DMF. Clothes for the musicians are sponsored by Mads Nørgaard, Copenhagen.

Thanks to Boris Koppel, Jac Nellemann, Rasmus Adrian, ETP, Frederik Holst, Ruth-Johanne Andersson, Marie Dahl, Barbara Polonis, Line Tjørnhøj, Nora Ray Abraham, and the Glyptoteket staff.

Reviews

“… The final scene reminding of the great flood, was so strong that everyone had to stand still. While the music slowly took over and an endless melody ofgrief faded in the sound of drum beats. Like when the heart stops.”

Dixikon (SE)

“…Gilgamesh (is) an exciting story staged with a sense of aesthetics, with beautiful costumes and fantastically evocative music.”

Ungt Teaterblod (DK)

“An unique experience! Totally different on all parameters... The costumes and sculptures were all unique works of art and had a great expression both from a distance and close up. The inclusion of a rapper (red. Manus Bell) of this particular league was really impressive – it added an unique presence and atmosphere.”

An audience menber (DK)

Performances

Premiere 
Thursday April 4, 2019

Week 14
Thursday April 4. 17:00
Friday April 5. 15:30
Saturday April 6. 15:30
Sunday April 7. 15:30

Week 15
Thursday April 11. 12:00 and 19:30
Friday April 12. 15:30
Saturday April 13. 15:30
Sunday April 14. 15:30

Week 17
Thursday April 25. 12:00 and 19:30
Friday April 26. 15:30
Saturday April 27. 15:30
Sunday April 28. 15:30

Duration: 105 minutes

Press photos

Download Gilgamesh Pressephotos byDitte Valente

PERFORMERS

  • GILGAMESH
    Niels Anders Thorn
    Actor

  • ENKIDU
    Manus Bell
    Rapper and singer

  • NINSUMUN
    Sara Emilie Anker-Møller
    Performer


The music is composed and performed live by FIGURA Ensemble:
  • Frode Andersen
    Accordion

  • Jesper Egelund
    Double bass

  • Anna Klett
    Clarinet

  • Frans Hansen
    Percussion

GILGAMESH
First Part of Hotel Pro Forma’s Underworld Trilogy

Following several years of a high level of international activities Hotel Pro Forma is back on Danish soil as well as back at Ny Carlsberg Glyptotek. Specifically at Ny Carlsberg Glyptotek where Kirsten Dehlholm created five legendary nonverbal performance pieces during the years 1978-1992. Now she is back with a staging of the oldest legend in the world – the epic of Gilgamesh – told in words and music. GILGAMESH is the first part of Hotel Pro Forma’s ambitious trilogy about the underworld.

Over the next three seasons Kirsten Dehlholm and Hotel Pro Forma create a trilogy of productions, all of which are based on ancient pre-historic myths about the underworld: GILGAMESH (18/19), AMDUAT (19/20) and OPERATION: ORFEO (20/21). Because, it is from the underworld we get our worldview, perspective and insights into ourselves:


"Inside all of us there is an underworld and a primitive human being. We are not very different at all. We look different, but we are all made up of the same fundamental characteristics such as basic needs, instincts, desires and wishes. These are measured out in different ways and will be fulfilled in different ways in each one of us. The underworld is where we meet Lars von Trier."
Kirsten Dehlholm, artistic director, Hotel Pro Forma.


Gilgamesh by Hotel Pro Forma
The tale of Gilgamesh was written in cuneiform writing on clay tablets 4000 years ago in ancient Mesopotamia. For this staging the text has been adapted and reworked by Danish poet Morten Søndergaard in collaboration with Assyriologist and Ph.D. fellow Sophus Helle, and the publication of the newly translated text is set to coincide with the premiere of the performance.

Gilgamesh is about king Gilgamesh, tyranny and power, adventure and daring, chaotic love, friendship and great sadness, the quest for immortality and eternal life.

Like a literary fireball the tale has burned its way throughout the history of the world to this day and over time served as a mirror in which changing cultures could study themselves.
The tale’s enduring relevance after several millennia may be due to the fact that it embodies a multitude of timeless subjects and bears witness to an all-encompassing humanity.

A musical walk
GILGAMESH is a musical walk with tableaus created for each of the 15 rooms around the ceremonial hall in Ny Carlsberg Glyptotek. The museum’s monumental architecture and many rooms of prehistoric sculptures serve as frame for the tale’s many facets of the fights between gods and men, rise and decline, nature and culture, life and death. Told in the form of an epic poem.

The four musicians of FIGURA Ensemble and the three performers present the Gilgamesh texts as speech, sound and rap, as they move through the rooms. The audience follow the performers, walking among the tableaus, free to sit down and move around as they want. On the journey through the rooms visual fragments connected with the tale are seen. Several are intermingling with the statues of the Glyptotek, breathing life into certain sculptures.

Duration: 105 minutes

Hotel Pro Forma's underworld trilogy
GILGAMESH is Hotel Pro Forma’s first largescale primeval myth and sets the scene for the two following productions in the trilogy.

AMDUAT. AN OXYGEN MACHINE is the second part of the trilogy. The piece is an investigation of our relationship with death and its rituals. AMDUAT means ”that which is in the afterworld”. It is the name of the ancient Egyptian concept of the land of the dead. The text is written by author Harald Voetmann and inspired by the ancient Egyptian book of the dead while incorporating new texts based on the real life experience of loss when his father died from cancer at a hospital in Denmark a few years ago. AMDUAT. AN OXYGEN MACHINE premieres at Theatre Republique in April of 2020.

OPERATION:ORFEO is the last part of the trilogy. The piece is Hotel Pro Forma’s iconic classic from 1993. The myth of Orpheus’ journey to the underworld is not reproduced literally, but instead it serves as a dramaturgic sequence based on a classic tripartite structure and presenting a series of images, composed and translated into a contemporary visual stage language. The tripartite structure refers back to the development of the three phases of the myth: descent, rise and loss, staged with song and music. OPERATION:ORFEO is restaged in the spring of 2021.


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Projektet er støttet af Koda Kultur

 
 
 
 
 
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