Hotel Pro Forma re-stages the huge success and critically acclaimed performance AMDUAT. An oxygen machine from 2021, based on Harald Voetmann’s book with the same title.
It takes place in The Grey Hall (Den Grå Hal) from June 1 – 10, 2023 during CPH STAGE with special support from CPH STAGE, Augustinus Fonden, Knud Højgaards Fond, William Demant Fondet and Aage and Johanne Louis-Hansens Fond.
AMDUAT. An Oxygen Machine is curated by and presented in collaboration with CPH STAGE.
AMDUAT. An oxygen machine is a visually compelling performance with newly composed, live music, ambient sound-landscapes, video art, lighting and performance – all on a rarely-seen 28-metre stage.
Like Harald Voetmann’s book, the performance is an amalgam of the story of a man dying at Holbæk hospital and the journey of the Egyptian sun-god through the land of the dead at night. Amduat means ‘that which exists in the underworld’ and is the name of the ancient Egyptian understanding of the land of the dead.
Music and sound-images are the work of the composers Hari Shankar Kishore and Marie Højlund. On stage, Hari Shankar Kishore creates rhythmic sound narratives by blending electronic music with authentic present-day Egyptian music of choirs, voices and sound-images from Egyptian street life. The rhythmic music is interrupted and framed by ambient sound landscapes created by the composer and sound-artist Marie Højlund from her research into auditive hospital environments.
About letting go of life
With AMDUAT. An oxygen machine, Hotel Pro Forma focuses on the theme of life’s basic conditions and of letting go of life, but also on how myths can have a softening effect on taboo and difficult issues. Kirsten Dehlholm says the following about this:
“If the process of dying which is described in AMDUAT. An oxygen machine were to be told clinically and soberly, it would be exceedingly grim and sad. But precisely with the vitality of Harald Voetmann’s language and his use of the interweaving with Egyptian mythology and an ancient-Egyptian understanding of the land of the dead something fantastic happens. The story produces strongly evocative and highly visual universes, and the dying process is thus charged at the same time with black humour, and becomes absurd, sensual and highly present.“