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WAR SUM UP / 2011

WAR SUM UP

Music. Manga. Machines.

A collaboration between Hotel Pro Forma and Latvian Radio Choir

2011


10.07.2020 – 19.07.2020

WAR SUM UP
MANNHEIMER SOMMER, MANNHEIM, GERMANY

Free access

View All Performances


Credits
PARTICIPANTS

Vocals Latvian Radio Choir
Gamemaster Ieva Ezeriete
Soldier Aigars Reinis
Warrior Gundars Dzilums
Spy Ilze Bērziņa
Conductor Kaspars Putnins / Sigvards Klava

Direction Kirsten Dehlholm
Concept Willie Flindt, Kirsten Dehlholm
Music The Irrepressibles, Santa Ratniece with Gilbert Nouno
Musical direction Kaspars Putnins
Libretto texts from classic Noh theatre edited by Willie Flindt
Costumes Henrik Vibskov
Light design Jesper Kongshaug
Set design Kirsten Dehlholm, Willie Flindt, Jesper Kongshaug
Manga drawings Hikaru Hayashi
B/W photos Zoriah Miller, Dallas Sells, Timothy Fadek, Kirtan Patel, Mário Porral, Richard Bunce
Video design Sine Kristiansen
Props and set design assistant Maria Legaard Kjeldsen
Architects Nicole Vitner, Runa Johannesen
Director’s assistant Jon R. Skulberg
Video technique Kasper Stouenborg
Makeup MAC Cosmetics

Sound engineer Andris Uze
Video engineer Ugis Ezerietis
Stage manager, on tour Lauris Bimbers
Light engineer, on tour Oskars Plataiskalns

Production Hotel Pro Forma, Latvian National Opera, Latvian Radio Choir
Associate producer Sarah Ford / Quaternaire
Tour manager Quaternaire
Manager, Latvian Radio Choir Dace Bula
Manager, Hotel Pro Forma Peter Jentzsch

WAR SUM UP is co-produced by the Latvian Radio Choir, Latvian National Opera, Ultima Oslo Contemporary Music Festival, Concert Hall Aarhus, Royal Danish Theatre, Odense Theatre and Hotel Pro Forma.

WAR SUM UP is supported by Nordic Culture Point, Bikubenfonden, Oticon Fonden and Konsul Georg Jorck og Hustru Emma Jorcks Fond.

Partner MAC Cosmetics

Hotel Pro Forma is supported by the Danish Arts Council’s Committee for the Performing Arts.

CVs
Vocals Latvian Radio Choir (LV)
The Latvian Radio Choir was awarded a Grammy Award for Best Performance in 2014. Founded in 1940 the Latvian Radio Choir is considered to be one of the most boldly-innovative choirs in Europe today. Their vast repertoire extends from early Renaissance to Baroque music to complex works of contemporary classical music. Latvian Radio Choir gives up to 60 concerts a year around the world. This is their second collaboration with Hotel Pro Forma, where they also perform in their modern classic OPERATION : ORFEO. They are lead by conductors Sigvards Klava and Kaspars Putnins.

Conductor Kaspars Putnins (LV)
Kaspars Putnins (1966 – ) is a staunch supporter of new vocal music which for his choir means performing challenging and developing music that often leads them into unexplored territory. He has collaborated with various Baltic composers to develop works of new musical language and expression. He has initiated several musical-theatre productions, often involving the Latvian Radio Choir in stagings and visual artists. He has been the conductor of the Latvian Radio Choir since 1992, and has toured all over the world and is a regular guest conductor at the BBC Singers, Netherlands Chamber Choir and the Vocal Ensemble of Stuttgart. He is the recipient of the BBCs Silver Rose Bowl award and winner of the Latvian Music Grand Prix.

Composer The Irrepressibles (UK)
Formed in 2002, The Irrepressibles are a ”performance pop orchestra” created by artist and composer Jamie McDermott. Described by The Sunday Times as “an enchantingly theatrical pop extravaganza” the band attempt to bring together the worlds of classical orchestration, art, and pop music. They have recorded one studio album, Mirror Mirror and the EP From The Circus to the Sea, both of which have garnered critical acclaim internationally. The Irrepressibles perform a ’spectacle’ show, which brings together choreography, interactive set, lighting installation and musical performance to inspire the emotions of the ”inner child” of their audiences. As a group, they have been compared to David Bowie, Kate Bush, opera from the Baroque era, and the KLF.

Composer Santa Ratniece (LV)
The Latvian composer Santa Ratniece (1977 – ) is considered by many to be one of the most promising young composers in the Baltic region today. She studied music theory at Darzin’s College of Music in Riga and finished in 1996. She gained a Bachelor’s Degree of Arts in 2002 in composition at J. Vitols Latvia Academy of Music, and a Master’s Degree of Arts at the Estonian Academy of Music and Theatre with notable Estonian composer Helena Tulve in 2007. Music by Santa Ratniece since has been performed by Latvian Radio Choir, NYYD Ensemble, Deutsch-Skandinavische Jugend-Philharmonie, Ensemble Reflexion K, Arditti Quartet and Nederlands Kamerkoor. She has won several prizes for her work and participated in numerous festivals around the world.

Composer Gilbert Nouno (FR)
Gilbert Nouno (1970 – ) is a composer, teacher, a recording sound artist and a researcher at Ircam in Paris. As an electronic musician, he realizes art and music technology for composers like Jonathan Harvey, Brian Ferneyhough, Michaël Levinas, Pierre Boulez and the jazz saxophonist Steve Coleman. He was awarded the Villa Medicis Roma grant in 2010/2011 and the Villa Kujoyama Kyoto grant in 2007. His recent compositional projects include commissions by the Hateyva Contemporary Music Festival in Tel Aviv. He holds a Masters and PhD degree in acoustics and signal processing applied to music from Ircam and University of Paris.

Costume design Henrik Vibskov (DK)
Henrik Vibskov (1972 – ) is one of the most recognised fashion designers in Scandinavia today. Henrik Vibskov graduated from Central St. Martin’s in 2001. He is currently the only Scandinavian designer on the official show schedule of the Paris Men’s Fashion Week. While known for his fashion label, he is also known for creating a multitude of universes which stand in relation to each collection. He also tours as the drummer for electronic musician Trentemøller, and has exhibited at art museums and galleries around the world.

Manga drawings Hikaru Hayashi (JP)
Hikaru Hayashi (1961 – ) began his career in the Japanese manga world as an apprentice with well-known artists such as Hajime Furukawa and Noriyoshi Inoue after graduating from from Tokyo Metropolitan University in philosophy. In 1997 he founded the manga design company Go Office, which has among other works published a comprehensive How To Draw Manga series of books, which serve as inspiration for the drawings and animations used in War Sum Up.

Concept, libretto from classic Noh-theatre, edited by Willie Flindt (DK)
Willie Flindt (1942 – ) is trained as a stage director in Denmark, UK and Japan. He is a qualified Noh-actor, and has studied Noh-theatre’s instrumental music at Tokyo University of Arts. He studied Japanese language, theatrical history and music anthropology at Waseda University, Tokyo and Japanese language and literature at University of Copenhagen. He has directed numerous performances in Denmark and abroad, and has collaborated on numerous occasions with Kirsten Dehlholm and Hotel Pro Forma, of which he is a co-founder, most recently with the highly-acclaimed production Theremin (2004).

Light design Jesper Kongshaug (DK)
Jesper Kongshaug (1956 – ) is widely recognized as Denmark’s most radical and innovative light designer. He has most recently created the light design for Akram Khan’s Vertical Roads(2010) at Sadler’s Wells and Paul Ruder’s Dancer in the Dark (2010) at the Royal Danish Theatre. Besides theatre light he creates light for buildings and architectural projects. He is a long-time collaborator of Kirsten Dehlholm and his productions with Hotel Pro Forma have included, among others, Relief (2008), Operation : Orfeo (2007, 1993) and I only appear to be dead (2004).

Concept, direction Kirsten Dehlholm
With a background in the visual arts, Kirsten Dehlholm (1945 – ) has worked with performance art for over 30 years. She began with Billedstofteater (Theatre of Images) from 1977 to 1984, and she founded Hotel Pro Forma in 1985. She has created well over 100 performances, ranging from site-specific performances for museums, city halls and other architecturally significant buildings, to performances for prestigious venues around the world, including the Venice Biennale, Berliner Festspiele and Brooklyn Academy of Music.

Reviews
The New York Times
A stimulating multidisciplinary, pan-cultural creation … Just the kind of thing that could get adventuresome opera lovers thinking and talking … Performed with commitment … blooms into something more nuanced and provocative on reflection. The singers could be sci-fi samurai from a David Bowie video. Gorgeously sung …Those hyberpolic sensations, along with psychedelic lights and loud, pulsating electronica that accompany Spy’s soliloquy, bring home a more disquieting point: War is marketable, and can be packaged as sleek entertainment. The Provocative force of “War Sum Up” is in the ambiguity of its message and the allure of its high-gloss finish. If only more New Yorkers could have seen it.

Read the entire review here

Performed by the Grammy Award-winning singers the Latvian Radio Choir.

***** Bachtrack
“A fascinating proposal for what could be considered to be a 21st-century opera … [it] breaks new ground … melds into a powerfully lush, immersive soundscape … A requiem for destruction and loss … Gorgeously composed.“

Read the entire review here

♥♥♥♥♥ Politiken (DK)
The manga opera ‘War Sum Up’ shows in masterly fashion how the performance pioneers Kirsten Dehlholm & Co. have sufficient flying altitude to be able to approach war from the greatest possible distance, to finally end up so close that it hurts.
Amazingly impressive – powerful – purely visually, and the music sucks you in with its sometimes intimately melodic, flowing passages, sometimes ethereally chanting harmonious sounds as sheer vertical columns of sound.
With her super-taut form stretched out over the classical proscenium framework, it is a successor to the greatest of their previous hits, ‘Operation : Orfeo’ from 1993.

Download review here

***** Gaffa (DK, music magazine)
… a fantastic work of art that both provokes, makes you think and works on a story-telling level. A seldom experience, a pearl, totally unique … I shed a tear at the end and this is my own personal stamp of quality.

Download review here

***** Berlingske Tidende (DK)
Hotel Pro Forma’s Japanese-inspired ‘War Sum Up’ combines war’s brutality and pain with beautiful sound and stage pictures … There is a disturbing, quivering force and profoundly moving beauty of sound in the voices of the 12 singers from Latvia Radio Choir …

Download review here

Information (DK)
Hotel Pro Forma’s esthetic war nightmare War Sum Up transforms suffering into cold images and bel canto so that the performance penetrates into the spectator … A performance that fuses classic warrior texts from Japanese Noh-theatre and modern, war-mongering manga drawings in an ultra-contemporary performance on war …

Download review here

Dance Journal (LV)
The multimedia manga opera War Sum Up is a highly international work, which joins Eastern and Western traditions, ideas, esthetics and philosophy … In my opinion, the projections of Hikaru Hayashi manga comic drawings and Jesper Kongshaug’s lights create the most ambitious high technology use example on Latvian theatre stages, furthermore – artistically convincing and meaningful.
The Latvian Radio Choir is the basic key to success. The vocal perfection and cooperation exceeds the audio level – the smooth performance ensemble acts together for a common goal and common motion score (it is not intensive, but also not easy). Despite the fact that there are four soloists, here are no extras, no clumsy corps de ballet dancers, no aimless tray carriers (i.e. weak links) that are usually seen in opera, ballet and dramatic performances. This is an ensemble, where there is no ambition to surpass colleagues, but only to work together for a common goal.

Download review here

Awards and nominations
Awarded with the Reumert Scenographer of the Year, 2012 for the scenography by Kirsten Dehlholm, Willie Flindt and Jesper Kongshaug.

The jury’s motivation was:

“Can war be aesthetic? And can the soldier’s death be beautiful? This was investigated by Kirsten Dehlholm together with Willie Flindt and Jesper Kongshaug in “War Sum Up”. Images from the Iraq war mixed with manga drawings and World of Warcraft. Digital, frontal and psychedelic.”

Nominated for the Reumert Opera of the Year, 2012.

Nominated for the Latvian Culture Prize by Latvian national newspaper Diena (LV).

The jury wrote:

“The performance impresses not only with its amazing, modern, ultra-expressive vocal work and the music of Santa Ratniece and The Irrepressibles, but also with the theatrical images by Danish director Kirsten Dehlholm’s creative team created by the imputed surreal visual environment, revealing the traumatic and monstrous nature of war.”

Selected Performances
World premiere on 2 September 2011
The Latvian National Opera, Riga, Latvia

Danish premiere on 25 October 2011
Odense Theatre, Odense, Denmark

11. – 12. Nov. 2011

The Royal Theatre, Old Stage, Copenhagen


War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis
War Sum Up. Foto: Gunars Janaitis

War is as simple and as complicated as man itself is. The nature of war is ever-changing, adapting to the era’s usable weapons and to the culture within which it takes place. War develops new technology, new strategies, new opinions.

WAR SUM UP tells of war through three main characters: The Soldier is sent home from war. He suffers from PTSD (Post-Traumatic Stress Disorder) and he no longer feels at home in civilian society. He returns to the war and dies in an explosion. A monument is raised in his memory. His symptoms and fate exist today.

The Warrior is killed in battle. His unnatural death prevents his soul from a natural transition to the world on the other side. He becomes a spectre, a ghost, who must tell his story in order to find peace. An old superstition which still exists in many cultures.

The Spy is captured in the war. In order to be freed she must relearn her abilities in the martial arts and transform herself. She is transformed into a super-woman and escapes. She is a part of the fantasy-genre and popular culture.

All three stories are framed by the woman in yellow. She is the Gamemaster who begins the war. But she is also the person who perpetually continues working because everyday life must go on as a banality of evil even though there is a war. And she is the Gamemaster, who returns to start a new war.

Each story is intensified and enlarged when the voices of the Civilians are heard, as a large choir. Light and dark, colours and patterns in black and white together with manga drawings in XL format are other intense narrators. The space keeps the scene in a frame that opens up towards the rear at the end of the performance. The music and images drive the story forward while the words which are sung hit the story with the deep tone of poetry.

WAR SUM UP is inspired by Japanese culture and its powerful expressions of poetry, pop, precision and brutality. This is illustrated through the music, the song texts, the costumes and the universe of images. The libretto is created with texts from Noh-theatre, written by Japanese masters, which are sung in Japanese.

WAR SUM UP combines several musical expressions and styles. New composed classical music creates a spheric, electronic sound image. Newly written pop-music describes the three characters with a mix of chamber pop and electronica, where man and machine melt together. The old world meets with the new, when old texts unfold in the electronic universe in order to tell the never-ending story of the nature of war.

The man-machine interface, the new environment or computer space, which machine and man inhabit together, is not an extension of the body but a total environment. It is the context for a new corporeal reality, an entirely new world in which war is conducted, a world into which we are sensorially and not only physically incorporated and assimilated.
– Christopher Coker,The Future of War (2004)

Duration 80 minutes, no intermission.

Performed in Japanese with surtitles in English.


Danish
WAR SUM UP
2011

Krig er lige så enkel og lige så kompliceret som mennesket selv. Krigens natur har til alle tider ændret sig, har taget karakter af tidens brugbare våben og af den kultur, den udfolder sig i. Krig udvikler ny teknologi, nye strategier, nye holdninger.

WAR SUM UP fortæller om krig gennem tre centrale skikkelser: Soldaten hjemsendes fra krigen. Han lider af PTSD og kan ikke finde sig til rette i civilsamfundet. Han vender tilbage til krigen og dør i en eksplosion. Et monument rejses til hans minde. Hans symptomer og skæbne er aktuel i dag.

Krigeren bliver dræbt i kamp. Hans unaturlige død forhindrer hans sjæl i en naturlig overgang til verden hinsides. Han bliver til et genfærd, et spøgelse, der må fortælle sin historie for at finde fred. En gammel overtro der stadig eksisterer i mange kulturer.

Spionen tages til fange i krigen. For at blive befriet må hun genfinde sine færdigheder i kampteknik og transformere sig. Hun forvandler sig til en super kvinde og slipper fri. Hun er en del af fantasygenren og populærkulturen.

Alle tre historier indrammes af kvinden i gult. Hun er den, der opretholder livet og hverdagen, selv om der er krig overalt.

WAR SUM UP er inspireret af den japanske kultur og dens kraftfulde udtryk af poesi, pop, præcision og brutalitet. Mangategninger i XL format er forestillingens visuelle fortællere, hvor menneske og maskine vokser sammen. Librettoen er skabt af tekster fra oprindelige Nô teater stykker. Der synges på japansk med undertekster.

WAR SUM UP kombinerer flere musikalske udtryk og stilarter. Nykomponeret klassisk skaber et sfærisk, elektronisk lydbillede. Nyskreven popmusik beskriver de tre karakterer med en blanding af kammerpop og elektronica.

The man-machine interface, the new environment or computer space, which machine and man inhabit together, is not an extension of the body but a total environment. It is the context for a new corporeal reality, an entirely new world in which war is conducted, a world into which we are sensorially and not only physically incorporated and assimilated.
– Christopher Coker, The Future of War (2004)

Forestillingen varer 80 minutter uden pause.

Sunget på japansk med overtekster på engelsk.

Danish Arts Foundation
Quaternaire
Latvian Radio Choir
Dunlop Protective Footwear
Riga Russian Theatre
The Augustinus Foundation
The Knud Højgaard Foundation
The Nordic Culture Fund
The Oticon Foundation
The Royal Theatre
The Ernst B. Sund Foundation
 
 
 
 
Hotel Pro Forma Tomsgårdsvej 19 2400 København NV Denmark Tel. + 45 51 27 87 47 mail@hotelproforma.dk

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