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ETHER / 1987

ETHER

A performance and an exhibition about the detour and the instant

1987



View All Performances

Credits
PARTICIPANTS

Ares/The Guard/The Surveyer Niels Anders Thorn
Aphrodite/The Lady/ Archeologist Yvonne Ingdal
Pythia/The Houskeeper/ The Old Woman Else Fenger
Hephaisto/ The Adopted Child/ The Woman Who Lost Her Way Kirsten Dehlholm
The Landscape Painter

Concept Kirsten Dehlholm, Willie Flindt
Instruction Willie Flindt
Text Inger Christensen
Costumes Anne-Grethe Bruun
Statues Anders Krüger
Technique Peter Thomsen
Administration Annesofie Becker

Premiere
01.05.1987
DEN SØNDERJYSKE HØJSKOLE FOR MUSIK OG TEATER, TOFTLUND, DENMARK
Selected Performances
07.05.1987
KUNSTEN – MUSEUM OF MODERN ART, AALBORG, DENMARK

19.05.1987
BRANDTS, ODENSE, DENMARK

14.11.1987
NATIONAL GALLERY OF DENMARK, COPENHAGEN, DENMARK


ETHER is the title of an experiment, which takes as its points of departure Horace’s phrase ‘ut pictura poesis’ (as the picture, so is the poem) and a quote attributed to Simonides of Ceos, which calls painting silent poetry and poetry: silent painting.

Likewise, the performance utilizes the principles of composition of landscape painting with a foreground, a middle distance and a background, which are presented scenically as three parallel fields within which the four performers form various groupings.

Superimposed upon this pattern is a system of monologues, dialogues and triologues which represent basic theatrical elements. These are composed as ever-changing combinations which by themselves constitute a dramatic progression from the soliloquy, through the antagonism of dialogue to intrigue/plot – analogous to the development of a picture from surface to depths.

Based on this scheme, the Danish author Inger Christensen has written a text for constellations involving four persons.

Another aspect of the experiment is to join two trends in current theatre: the non-verbal visual theatre with its link to ‘performance art’ and the psychological theatre with its traditional conventions.

Duration 60 min.


Danish
ÆTER
En forestilling og en udstilling om omvejen og øjeblikket
1987

ÆTER er titlen på et eksperiment, der tager udgangspunkt i Horats’ sætning ‘ut pictura poesis’ (som billedet således digtet) samt yderligere et citat tilskrevet Simonides, der kaldte maleriet for tavs digtning og digtet for talende billede.

Forestillingen tager samtidig udgangspunkt i principperne for kompositionen af et landskabsmaleri med en for-, mellem- og baggrund, der scenisk fremtræder som parallelt løbende baner, hvori de fire medvirkende danner varierede grupperinger.

Oven på dette mønster er lagt et system af monologer, dialoger og triologer, der repræsenterer basale teatralske elementer. Disse er sammensat i stadigt skiftende kombinationer, der i sig selv udgør et dramatisk forløb fra enetalen, over dialogens modspil, til intrigen/handlingen – analog med billedets forløb fra flade til dybde.

Ud fra dette oplæg har Inger Christensen skrevet en tekst for fire personer.

En anden del af eksperimentet er at sammenføje to retninger inden for teatret: det nonverbale visuelle teater med dets forbindelse til performance formen og det psykologiske teater med dets traditionelle konventioner.

Varighed 60 min.

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