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CARPE CARPE CARPE / 1989

CARPE CARPE CARPE

Poetic Tableaux Performed by Seven Children

1988



View All Performances

Credits
PARTICIPANTS

Performers
Seven children, eight years old
One Magician

Concept, direction, scenography, Kirsten Dehlholm
Text Per Aage Brandt
Script Annesofie Becker, Kirsten Dehlholm
Director´s Assistant Alain Platel
Physics Experiments Sigurd Holm
Sculptures Mikael Thejll
Costumes Gitte Juul Andersen, Lotte Bertelsen
Light, sound Peter Thomsen

Reviews
Berlingske Tidende (DK) – December 1989
The surroundings are captivating – almost like an interior in Carl Th.Dreyer´s film ‘The Vampire’.
…Foolish? No, not quite. In a way it lives up to the Antonin Artaud motto which Carpe Carpe Carpe has taken over. Creating myths that is the real aim of theatre, representing life in its immense perspective and from this life draw images in which we would like to recognize ourselves.

– Jens Kistrup

Berlingske Tidende (DK) – January 1989
In these days one can at the same time experience two as unique events as the Picasso exhibition and the theatre Hotel Pro Forma.
– Niels Houkjær

Information (DK) – January 1989
Once more there is a stroke of genius about Kirsten Dehlholm that appears when she lets seven eight years old children recite selected poems by the poet Per Aage Brandt – dressed in white, in white surroundings.
The work of genius is among other things the correspondence between the children and the text: difficulties for the children about remembering and pronouncing the words that correspond to the adult´s difficulty by enduring the vital necessities of life which even man might not quite understand.

– Kjerstin Norén

Fredriksborg Amts Avis (DK) – January 1989
The semiotician and poet Per Aage Brandt´s visually gifted language describing of acts of cruelty and defenseless victims of lust and vice, gets a wonderful soothing tinge, because the children cry out the words without passion though loud and directly. The contrast is striking. Innocence and depravation go hand in hand.
– Knud Cornelius

Tusind Øjne – January 1989
Destilled liquids, post morten performed on animals and the broken language are a metaphor of the way in which the performance group penetrates into language and object. With the intension of showing tha only due to a paralytic way of thinking we persist in believing that the world can be conceived in on specific way. When cutting words and objects together in new ways, into new relations their meaning may be changed and thus reveal hitherto unknown dimensions of life…
Kantor and Dehlholm have both in their performances dared making experiments into unsafe regions of theatre liable to explosions. May be due to the fact that both have their background in visual arts and thus unlike trained theatre people suffer no respect for the medium. And this lack of respect may be the element required to make theatre art move forward.

– Camilla Hübbe

Politiken (DK) – December 1989
Pro Forma means because of the form and form is exactly what Hotel Pro Forma experiments with, directed by Kirsten Dehlholm. In a continuous work which consciously impels itself into sparsely grown frontier regions and systematically explores the possibilities of expressions within theatre with courage and consequence, which is only allotted to very few.
…However, exactly here my respect for Kirsten Dehlholm´s artistic consequence is coming to an end. Rather, on the contrary it is her esthetic consequence that turns me off. When through whitewashed esthetics, abstract and deliberately outdistancing form are linked to clinically detailed descriptions of human cruelty, it is time to bristle…

– Michael Bonnesen

Premiere
24 December 1989
B&W, HALL 8, COPENHAGEN, DENMARK
Selected Performances
04.01.1990
LOUISIANA, DENMARK

01.06.1990
NIEUPOORT TEATER, GHENT, BELGIUM

23.06.1990
KAAI THEATRE FESTIVAL, KAAI THEATRE, BRUSSELS, BELGIUM


A theatre performance by Hotel Pro Forma. The text is written by the poet and the semiotician Per Aage Brandt. The poems are performed by seven children at the age of eight.

In one side of the room is a laboratory, where the children make physics experiments. In the other side of the room is a sculptural landscape, where fragments of animals and materials have been put into glass on high plinths.

Per Aage Brandt´s highly concentrated poetry opposes the children´s sensuous and unsophisticated presence. The performance is about the beginning of life. The children´s voices and the way they move release meanings that otherwise would have remained concealed. The children speak a written language. It is distant and present, and flows as a poetic stream. The taped voice of the poet reads nine elegies about the phallic phenomena and the artificial inseminations. The childe talk about the invisible ad make physics experiments. Law of nature as narrative images. Tableaux about the inconceivable. For a moment a magician perform. Sciences and magic side by side.

In this performance the scenic expression is moulded into pure poetry, pure sculpture, real physics experiments, pure images and movements.


Danish
CARPE CARPE CARPE
Poetiske tableauer fremført af syv børn
1989

En forestilling af Hotel Pro Forma i tre akter og syv scener. Forestillingens tekst er hentet fra Per Aage Brandts poesi. Digtene fremføres af syv børn, otte år gamle. Desuden indgår en ny tekst af Per Aage Brandt skrevet som forbindende princip til forestillingen. En skulpturel og naturvidenskabelig begivenhed af poetisk karakter.

Per Aage Brandts poesi sættes i relief af børnenes sanselige og umiddelbare nærvær. Børnenes stemmer og bevægelser frigør betydninger, som ellers ville være forblevet skjult. Børnene taler et skrevet sprog. Et hårdt og blødt, nært og fjernt sprog, formet som et poetisk forløb. Forfatteren læser på bånd ni tekststykker om de falliske fænomener og den kunstige befrugtning. Børnene taler om de usynlige. Og laver fysikforsøg. Naturlove som billedfortællinger. Tableauer om det ufattelige. Dele af dyr og materialer, indsat i glas på høje sokler, taler tingenes sprog. Fragmenter af sange fylder rummet indefra, folk trænger sig på udefra. Børnenes hverdagssamtaler understreger tryllekunstens hemmeligheder.

Carpe Carpe Carpe er et organisk og uorganisk scenestykke, hvis forskellige elementer defineres gennemklare markeringer af afstand. Stykket lader stumper af handlinger, dele af udsagn og spor af betydninger vise i flere retninger på samme tid. Det standser. Det giver tiden tid. Det peger på fysikken og naturhistorien som mulig erkendelsesform og på sproget til at give tingene navne. Børnene taler sproget udefra. Børnenes sprog og bevægelser dissekerer forestillingen om virkeligheden.

Det sceniske udtryk er fundamentalt for alle mennesker, det finder sted overalt som hverdag og kunst. Det er en form for transmission af menneskets følelsesliv og tanke. I denne forestilling tager det sceniske udtryk form som ren poesi, ren skulptur og materiale, rigtige fysikforsøg, rene billeder og bevægelser.


Hotel Pro Forma Tomsgårdsvej 19 2400 København NV Denmark Tel. + 45 51 27 87 47 mail@hotelproforma.dk

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